Sam S Taylor
‘Little AI’ 2024
‘Little AI’ 2024
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'Little AI' has references to English identity, monarchy and it's bizarre and often wreckless history.
It explores ideas in AI design and mass manufacturing techniques with references to a bygone regency industrial era of power and mass production with handmade craft computer imagery. The works appear to be unrefined, unapologetically handmade; questioning the machine and mass production. It’s a contradiction. Making these pieces poses a question for the time we live in.
This series has been made with pugmill; a clay made from recycled scraps, leftovers and 'failures' of different artists works.
The clay is then slip decorated and hand painted with pure cobalt.
References for the work can be found at the V&A Museum's English slipware collection & 'Empireland' by Sathnam Sanghera; conversations in history.
Ceramic Stoneware
10 x 15 cm
Decal, underglaze & slip
2024
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Shipping
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Bloomsbury London
Broken Dragon
Sam Taylor's early works were based heavily in performance. Exploring themes of class, mysticism and womanhood.
She would evoke spirits that 'created the internet' imagining a new history to creation. Using her voice and repeated rituals to replicate electric sounds from computers, trains and modern life.
A conversation between the machine and flesh which has recently led to machine and the earth.
Medieval detail
The first series of Lions often have references to English identity, monarchy and it's bizarre and often wreckless history.