Sam S Taylor
'Guts' 2020
'Guts' 2020
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The first in a series exploring mass manufacturing techniques with references to a bygone regency industrial era of power and mass production. It appears to be unrefined and falling, unapologetically handmade; rejecting the machine and mass production but also made using a cast for making multiples. It’s a contradiction.
The work forms a sculpture unpicking utilitarian forms; a question for the time we live in.
Ceramic Stoneware
50 x 40 cm
Coloured slip, crackle glaze, torn edges
At least 10% from this project will go to food banks via The Trussell Trust.
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Bloomsbury London
Broken Dragon
Sam Taylor's early works were based heavily in performance. Exploring themes of class, mysticism and womanhood.
She would evoke spirits that 'created the internet' imagining a new history to creation. Using her voice and repeated rituals to replicate electric sounds from computers, trains and modern life.
A conversation between the machine and flesh which has recently led to machine and the earth.
Medieval detail
The first series of Lions often have references to English identity, monarchy and it's bizarre and often wreckless history.